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Showing Records: 81 - 100 of 413

Cubist Prints/Cubist Books , 1983

 Item — Folder 65: [Barcode: 31858072537990]
Identifier: CC-18736-19110
Scope and Contents

Portrays Apollinaire as rendered by Louis Marcoussis. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

[Curriculum Vitae and Publications] / Soroka, Mykola; Apollinaire G; Maurus H; Lora-Totino A; Padin C; Tanabu H., 2000

 Item
Identifier: CC-33893-35565
Scope and Contents

Soroka presents his biography and a reprint "Visual Poetry in Ukrainian Literature," from the Ukrainian Review, 1998, Vol.45, No.1. There are also examples from early Ukrainian and European visual poetry and the recent works of Soroka. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Dada Artifacts / Joann Moser, curator ; Apollinaire G ; Ball H ; Albert-Birot P ; Breton A ; Depero F ; Sheppard R ; Duchamp M ; Ernst M ; Grosz G ; Hausmann R ; Kirsanov S ; Lissitzky E ; Marinetti FT ; Mayakovsky V ; Picabia F ; Schwitters K ; Tzara T ; Foster S., 1978

 Item
Identifier: CC-14549-14860
Scope and Contents

Pictured in the catalogue and held by the Sackner Archive are Apollinaire's "Calligrammes," Marinetti's "Les Mots en Liberte Futurist," "Der Dada No.3," "291," Picabia's "Le Cannibale," "Dada No.4-5," "Der Blutige Ernst," "Der Dada No.2," Huelsenbeck's "En Avant Dada," VanDoesburg's "Kleine Dada Soiree," Mayakovski/Lissitzky's "For the Voice," " Le Coeur a Barbe." Stephen Foster contributed an essay, "Dada: Back to the Drawing Board and Richard Sheppard a comprehensive Dada chronology. The exhibition was curated by Joann Moser. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Dada / Laurent Le Bon, curator ; Apollinaire G ; Aragon L ; Arp H ; Ernst M ; Baader J ; Baargeld J ; Blumenfeld E ; Bonset I ; Charchoune S ; Citroen P ; Crotti J ; Delaunay S ; Drier K ; Duchamp M ; Duchamp S ; Grosz G ; Hausmann R ; Hoch H ; Janco M ; Joostens P ; Kassak L ; Ray M ; Picabia F ; Puni I ; Ribemont-Dessaignes G ; Richter H ; Schad C ; Schamberg M ; Schwitters K ; Tzara T ; VanDoesburg T ; Werkman HN ; Wood B ; Albert-Birot P ; Ball H ; Breton A ; Huelsenbeck R ; Cravan A ; Desnos R ; Eluard P ; Hennings E ; Iliazd ; Kassak L ; Michaux H ; Pansaers C ; Peret B ; Serner W ; Soupault P ; DeZayas M ; Heartfeld J ; Arp H ; Apollinaire G ; Aragon L ; Bidlo M., 2005

 Item
Identifier: CC-46348-49073
Scope and Contents

This is the catalogue for a major Dada exhibition that travelled from the Pompidou Center to the National Gallery in Washington to MoMA in New York. The exhibition presents many forms of Dada in the principle cities of Zurich, Berlin, Hanover, Cologne, New York and Paris. The chief curator was Laurent Le Bon. The facsimile ticket "Etiquette de bagage" by Marcel Duchamp was made by Mike Bidlo. Includes several photographic portraits of the Dada artists/poets as well as complete reproductions of Dada periodicals. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Dada & Surrealism / Breton A ; Duchamp M ; Apollinaire G ; Marinetti FT ; Picabia F ; Schwitters K ; Ernst M ; Hugnet G ; Carroll L ; Tzara T ; Soupault P ; Lebel R ; Aragon L ; Peret B., 1974

 Item
Identifier: CC-14748-15061
Scope and Contents

An exhibition of books, mauscripts, graphics and objects from the Howard L. & Muriel Weingrow Fine Arts Collection. Written and compiled by Haim Finklestein. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Dadaisme - Surrealisme - Tcheque -Futurisme Italien et Russe / Renaud, Paul ; Oterelo, Claude ; Apollinaire G ; Survage L ; Ting W ; Breton A ; Butor M ; Cendrars B ; Char R ; Ball H ; Huelsenbeck R ; Schwarz A ; Schwitters K ; Tzara T ; Crotti J ; Ernst M ; Lewis WP ; Schwitters K ; Duchamp M ; Eluard P ; D'Albisola T ; Marinetti FT ; Depero F ; Russolo L ; Mayakovsky V ; Kruchenykh A ; Lissitzky E ; Hugnet G ; Huidobro V ; Isou I ; Ray M ; Picabia F ; Queneau R ; Novak L ; Teige K ; Leger F., 1997

 Item
Identifier: CC-31335-32811
Scope and Contents

Auction catalogue. This auction featured several works held by the Sackner Archive including Peintures de Leopold Survage by Apollinaire, La Fin du Monde by Blaise Cendrars and Fernand Leger, 291, Blast, Dada reviews, Le Coeur a Barbe, Languria Lirica, Depero Futurista, Les Mots en Liberta Futuristes by Marinetti, and Pour la Voix by El Lissitzky, -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Destruction Was My Beatrice / Rasula, Jed ; Apollinaire G ; Arp H ; Baader J ; Ball H ; Breton A ; Duchamp M ; Ernst M ; Grosz G ; Hennings E ; Hoch H ; Huelsenbeck R ; Janco M ; Hausmann R ; Kandinsky V ; Lissitzky E ; Ray M ; Moholy-Nagy L ; Picabia F ; Ribemont-Dessaignes G ; Richter H ; Schwitters K ; Tzara T ; VanDoesburg T., 2015

 Item
Identifier: CC-60927-10003782
Scope and Contents

In "Destruction Was My Beatrice" modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artistsl like Marcel Ducahmp and Man Ray to Berlin where it inspired painters George Grosz and Hannah Hoch: and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists."THIS WAS THE LAST BOOK THAT RUTH SACKNER READ AND CATALOGUED. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2015

Digital Curtents: Art in the Electronic Age / Lovejoy, Margot ; Acconci V ; Anderson L ; Apollinaire G ; Artaud A ; Baldessari J ; Balla G ; Barthes R ; Bayer H ; Bense M ; Brecht G ; Byrne D ; Cage J ; Charlip R ; Christo ; Cunningham M ; Dali S ; Debord G ; Duchamp M ; Dupuy J ; Ernst M ; Fahlstrom O ; Fox T ; Fuller B ; Greenblatt R ; Grosz G ; Haacke H ; Hanson A ; Hausmann R ; Heartfeld J ; Hickman C ; Graham D ; Johns J ; Kac E ; Kaprow A ; Kitaj R ; Kruger B ; LeWitt S ; Lichtenstein R ; Lucier M ; McLuhan M ; Marclay C ; Mekas J ; Moholy-Nagy L ; Mohr M ; Muntadas A ; Nauman B ; Nechvatal J ; Neshat S ; Ono Y ; Paolozzi E ; Rauschenberg R ; Reichert J ; Rodchenko A ; Rosler M ; Schneemann C ; Seaman B ; Spero N ; Stockhausen K ; Tansey M ; Tinguely J ; Truck F ; Tudor D ; Viola B ; Warhol A ; Weibel P ; Wilson R ; Willats S ; Zelevansky L ; Zweig J ; Hamilton R., 2004

 Item
Identifier: CC-42905-44948
Scope and Contents Synopsis review: Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Just as the rise of photographic techniques in the mid 1800s shattered traditional views about representation, so too have contemporary electronic tools catalysed new perspectives on art, affecting the way artists see, think, and work, and the ways in which their productions are distributed and communicated. Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Margot Lovejoy recounts the early histories of electronic media for art making - video, computer, the internet - in the new edition of this richly illustrated book. She provides a context for the works of major artists in each media, describes their projects, and discusses the issues and...
Dates: 2004

Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe / Quartermain, Peter ; Andrews B ; Antin D ; Apollinaire G ; Bernstein C ; Cage J ; Creeley R ; Davenport G ; Duncan R ; Finlay IH ; Ford FM ; Ginsberg A ; Joyce J ; McCaffery S ; McClure M ; Mottram E ; Olson C ; Stein G ; Zukofsky L ; Bunting B., 1992

 Item
Identifier: CC-32947-34564
Scope and Contents

According to text on the dust jacket, this book "examines some of the most interesting and experimental contemporary writers whose work forms a counterpoint to the mainstream writing of our time." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

[Documentation for The Poet Assassinated] / Jackman, Sandra; Apollinaire G., 1996

 Item
Identifier: CC-08345-8510
Scope and Contents

Jackman demonstrates in a drawing the dimensions of the chair used in the her piece held by the Sackner Archive, The Poet Assassinated, that its basis was Picasso's Maquette for a Monument to Guillaume Apollinaire. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Drezehn Autorenportrats / Klemm, Wilhelm, editor ; Apollinaire G ; Schwitters K ; Riha K., 1995

 Item
Identifier: CC-08163-8324
Scope and Contents

Karl Riha edited the series that included this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Earthquakes & Explorations: Language and Painting from Cubism to Concrete Poetry / Scobie, Stephen ; Apollinaire G ; Arp H ; Ball H ; Bann S ; Birney E ; Bohn W ; Cage J ; Caruso B ; Cendrars B ; Delaunay S ; Drucker J ; Duchamp M ; Finlay IH ; Gomringer E ; Hausmann R ; Jandl E ; Joyce J ; Kostelanetz R ; Krauss R ; McCaffery S ; Malevich K ; Nichol bp ; Picabia F ; Pignatari D ; Poggi C ; Reverdy P ; Schwitters K ; Shattuck R ; Solt ME ; Stein G ; Steiner W ; Tzara T ; Derrida J ; Herbert G ; Bok C ; Werschler-Henry D ; Khlebnikov V ; bissett b ; Garnier P., 1997

 Item
Identifier: CC-30349-31764
Scope and Contents This book is about how language deals with the non-verbal and about linguistic resposes to painting. Scobie writes that the unity in this book lies "in its relation to a central complex of ideas - the interaction between language and painting: the specific case of Cubism; the extension of Cubism into Concrete Poetry." Scobie provides an excellent background of Cubism's beginnings with emphasis on the roles of Apollinaire and Daniel Kahnwieler, the art dealer. He discusses the placing of fragmented words into Cubist paintings as word-play and puns.In his chapter on concrete poetry, Scobie "attempts to situate the international movement of the 1950's and 1960's within larger cultural tendencies, such as the transition from modernism to post modernism," and he reviews the collaboration between bp Nichol, the Canadian poet and Barbara Caruso, the Canadian artist. In the following chapter, Scobie deals with sound and visual poetry and concludes this section with an analyses of the...
Dates: 1997

Echoes Series: D.H. Lawrences Autumn Rain as G.Apollinaire's Il Pleut / Finlay, Ian Hamilton; Apollinaire G., 1995

 Item
Identifier: CC-12964-13256
Scope and Contents

Finlay laid out D.H. Lawrence's poem, "Autumn Rain" in the style of Apollinaire's Il Pleut. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

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  • Names: Apollinaire, Guillaume, 1880-1918 X

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Hugnet, Georges, 1906-1974 12
Beuys, Joseph Heinrich, 1921-1986 11
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Picabia, Francis, 1879-1953 11
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